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The Old Phono Blog
For over half a century, dedicated fans have dreamed of a permanent museum and archive to preserve the memory of the world-famous Bix Beiderbecke and his music. The long-planned Bix Beiderbecke Museum and Archive opened to the public on Monday, July 24, 2017, in its new home at the River Music Experience in Bix’s hometown of Davenport, Iowa.
Since we recently experienced the full solar eclipse on August 21, let's take a look back at how this celestial phenomenon affected the great American innovator of the Gilded Age.
The Discography of American Historical Recordings (DAHR) is a database of master recordings made by American record companies during the 78rpm era. It is part of the American Discography Project (ADP)—an initiative of the University of California, Santa Barbara and the Packard Humanities Institute that is edited by a team of researchers based at the UCSB Library. These files are now available for download and provided free for personal use.
To the question “When were recordings invented?”, we might be tempted to answer “1877” – the year when Thomas A Edison was first able to record and playback sound with a phonograph. But what if we think of recordings not as mere carriers of sound, but as commodities that can be bought and sold, as artefacts capable of capturing and embodying values and emotions; of defining a generation, a country or a social class? The story then becomes one that unfolds over three decades and is full of many layers and ramifications.
Brian Gorrell spent most of his career teaching music to children, including directing the Henry Clay High School Band in the 1970s. But for the past two decades, he has sold, repaired and collected their ancestors’ mechanical music machines.